Bio:

Born in Los Angeles and shaped by early years in Tehran, my path into photography was neither linear nor conventional, emerging from a restless search across design, digital culture, and personal loss.

I first entered the photography world through commercial frameworks, working with titles and brands such as Vogue Italia, Jaguar North America, and House of Bijan. Yet within a few years, it became clear that conventional image-making could not contain what I sought.

In 2016, I withdrew from public platforms and shifted my focus toward light itself, studying its weight, its absence, and the unseen forms it revealed.

What emerged was a body of work devoted to the interplay between shadow and illumination — a metaphysical exploration that became the foundation for my first private collections.

Between 2016 and 2018, I created Private Collection, a limited edition coffee table book shot entirely on film using analog cameras and natural light. The first edition disappeared swiftly into private holdings.

In 2019, I collaborated with Feeny’s Photo to create Optica, transforming photography into a sculptural experience exhibited in Beverly Hills. 

The global stillness of 2020 offered rare contemplative space. Within this void, a decade of visual exploration. Portraiture, botanical studies, architectural forms, and the metaphysics of light crystallized into the definitive visual language that now guides my approach.

As of 2025, my practice centers on editorial that exist as a private acquisition. A preservation of beauty, narrative, and intimacy for collectors who value legacy over visibility.

Access is private and invitation-only.

There are no public exhibitions, no digital releases.

These works are not made for the masses.

They are made for the few who understand what permanence requires.